It’s been said that falling off a cliff isn’t so bad, it’s that sudden stop at the end. A writer once described the process of writing a novel as jumping out of an airplane with a big ball of yarn and knitting needles and trying to knit a parachute on the way down.
I’m experiencing something similar. This week I hit the climax, the key point of my entire novel. It was fun! Woohoo! Twenty months of writing pay off! Cue the coolness I’ve been planning since–
WHAM!
I ran smack into a wall. I set up the conflict fairly well, but I can’t seem to find a satisfactory and realistic way to resolve it. The good guys are in a pickle, and the first several ideas I’ve come up with are terribly cliched. Several others I discarded because it would require the bad guys to get a sudden case of the stupids. Nothing I’ve come up with so far seems terribly satisfying, and after all this work I’d really like my ending to be satisfying. I want the good guys win because they were good, not because the bad guys were just incapable of sticking the landing.
I’ve made it this far by tossing out my detailed outline and writing from memory of where I wanted the story to go, but being willing to go with felt right at the moment. It’s worked well. I’ve on the whole stayed true to my high-level structure, but the details have been stronger because they were made up in response to the unfolding of the story. But I suspect I’ve reached the point where I’m going to need to sit down and plan my way out of this. It’s time for the good guys to step up and be awesome guys. And it’s time for the bad guys to fail only because the good guys were just a little more awesome. Nothing I’ve got so far approaches that.
I’m still figuring out what my writing process is. It could be it’s different for every story. I don’t quite like just free-writing and seeing where I end up–I end up with a mess that needs a lot of work to clean up. But I’ve also found that a lot of outlining is too restrictive and takes the fun out of it. Heavy outlining feels like I’ve already written the novel, so why bother going back and writing it again just to add set-dressing? Somewhere in the middle seems to work best…so far. But now I’ve got to find a good ending. I can either keep writing and tossing out endings, or I can sit down and plan it out. My instincts tell me the latter is more likely to work here.
Time for some woodshedding, as we’d say in my musician days.